A Few of my Favorite Fantasy Cliches

This is my 100th post! In celebration, I'd like to do something very cliche: write a post about my favorite fantasy cliches. (Cue applause.)

Also, please note that in my blog post, I've used male pronouns to refer to characters, since the majority of fantasy stories are still written about males. Hopefully someday the case will be different!

So, without further ado, I present:


My Favorite Cliches
To the tune of, "My Favorite Things"

Dark stormy nights and scales on dragons
Bright shining daggers and red glowing fire
Stacks of old parchment all tied up with strings--
These are a few of my favorite cliches.

Black or white horses and elvish lembas bread
Watch bells and beacons and Gollum with worms
Creatures that fly with the Nazgul on their wings--
These are a few of my favorite cliches.

Shield maidens in white dresses with swords at their sashes,
Arrows that barely scratch my nose and eyelashes
Silver white beards of wise old men who soon die--
These are a few of my favorite cliches.

When the Dark Lord rises, when the prophecy rhymes, when the hero's an orphan,
I simply remember my favorite cliches, and then I don't feel so bad (about my own writing)!

And now for a proper list of my favorite fantasy cliches.

1. Stock characters

Almost every single fantasy story contains an old man/wizard/wise person who imparts crucial information to the young hero, usually an orphan. Said young hero discovers he has magic powers or is the "chosen one," a fact that no one has told him all his life, and that the villains have only just discovered. Add in a handful of warrior maidens and a dragon or two, and you've got a regular soup of cliches. If you really need any examples of this, just look to Lord of the Rings or Harry Potter.


2. Prophecies or curses

Speaking of the "chosen one," any prophecy or curse of any size or shape definitely counts as cliche. Particularly if the hero is the only person that the prophecy could refer to. And if the stakes are "the end of the world as we know it." So if you're dying to make your story as cliche as possible, please, please, insert one of these. I promise it'll increase the cliche-factor by ten. Don't believe me? Ask the dishes! (Reference to Beauty and the Beast, which by the way contains a prophetic curse.)

3. Medieval setting

Despite the constant use of Medieval costumes and weapons in fantasy stories, the hygiene and medicine of fantasy stories seem to be pretty modern. Because, really, where's the plague? Furthermore, there's always a journey that takes days or weeks to get to the destination, usually by walking or riding the same horse for days on end. Honestly, how do characters in these stories manage to get anything done when they must be dead tired from traveling all the time? Walking kills your feet, kills the horses, and can't be done constantly. I'm looking at you, Lord of the Rings.


4. Good versus Evil

So your hero is battling a "Dark Lord" or the "forces of evil" or must go through the "Dark Forest" and battle an army of ugly evil orcs? Wow, how original. But let me ask a question: why should darkness be the enemy just because it's dark? Couldn't that be construed as a bit racist? And why should the whole race of elves (or dwarves, or men) be good and beautiful while orcs (or other villainous force) are always evil and ugly? The real world has good ugly humans and bad beautiful humans. Why should fantasy be any different?


5. Unrealistic fighting

Hero learns swordplay in about a week and is suddenly a master at weapons of any kind, able to confront expert enemies who've had years of training to perfect their technique. Also, arrows never, ever run out, armor is feather-light, and shields are hardly ever necessary. Oh, and while we're on the subject, all wounds seem to be either a minor scratch or life-threatening. Don't heroes ever get paralyzed, or suffer brain damage, or have to amputate their arms?

That said, of course, these particular cliches are only cliches because they've been used very effectively in some of the greatest fantasy stories of all time, from Lord of the Rings to Harry Potter and Beauty and the Beast. So should you really always avoid using cliches?

Well, on the one hand, if you purposefully try to avoid all cliches ever, you're just going to give yourself a horrible headache while you try to think of original plot devices and methods of transportation. On the other hand, you do want to think very carefully before inserting a cliche into your story.

If you do use a cliche, make it humorous and obvious, as Patricia C. Wrede does in her hilarious Enchanted Forest Chronicles. Or try turning it on its head, as Gail Carson Levine did in her amazing novel Ella Enchanted. Recognize the cliches in your writing--and run with them! Use them for your own benefit. It's the best way to write!


Have you read any books or seen any movies with cliches? Any cliche-breaking stories you'd love to share? What about in your own writing--love them? Hate them? Avoid them like the plague?

Fantasy Settings Around the World

Typically, when I think of the setting of fantasy books, the image that comes to mind is medieval: girls in long dresses, curses, castles, dragons, dungeons…you get the picture. But fantasy settings can actually span the whole course of history, plus some more. In fact, the settings that you draw inspiration from in creating your fantasy world can be any culture and any time in history.

 So before you decide to stick with tradition, why don’t you take a look at the wide range of possible settings that fantasy has to offer. Here’s a list of the pros & cons of fantastic times and places to get your imagination fired up.

1. Medieval

• 
  Examples: Ella Enchanted by Gail Carson Levine, Eragon by Christopher Paolini, Ranger’s Apprentice series by John Flanagan, most books by Robin McKinley

• Pros: Lots of traditions and ideas in literature to draw on. Plenty of examples to study. Also, the medieval setting is perfect for fairy tales with their usual delightful magic.

• Cons: can be very, very, very extremely cliché. You can exploit these clichés, as Patricia C. Wrede did in her hilariously witty Enchanted Forest Chronicles. However, if your story is the same old-same old that readers have read so many times before, they might get rather bored.

2. Arabian

• 
  Examples: Castle in the Air (part of Diana Wynne Jones’s Howl’s Moving Castle series), The Book of Wonders by Jasmine Richards

• Pros: much less cliché than a medieval fantasy. Plenty of atmosphere.

• Cons: needs careful research. Also, since Arabian culture is so tied to Islamic culture, there may be religious complications or overtones in your setting. Plus, you’re pretty much forced to use a genie or two.

3. Oriental

• 
  Examples: Book of a Thousand Days by Shannon Hale (Mongolian fantasy), Eon (which I don’t recommend, incidentally, but it is an example of Oriental-style fantasy)

• Pros: very unique, even more than Arabian. Works well with dragons and the color red.

• Cons: Again, it does require some research to make it seem authentically Oriental. Plus, again, the major religions of either Buddhism or ancestor worship really clash with the Christian worldview and faith.

4. Egyptian

• 
  Examples: Kane Chronicles by Rick Riordan (which are technically modern fantasies, but they’re the closest I could think of to Egyptian)

• Pros: As with Oriental fantasy, it’s very unique—so unique I couldn’t even think of a true example of one. Plus, those pyramids are just begging for fantastic explanations, right?

• Cons: Again, there’s the Ancient Egyptian religion to deal with. It’s a very messy mythology that doesn’t really make sense, but a book set in Egypt without Egyptian mythology seems incomplete.

5. Ancient Greek/Roman

• 
  Examples: Percy Jackson series by Rick Riordan (again, technically modern fantasy, but with a few elements of the ancient settings as well)

• Pros: Once again, it’s unusual and not entirely cliché, although it does seem like Ancient Greece has been done a lot. Personally, I think it would be fascinating to take just a few elements from this time period—togas, for example—and insert them into a medieval fantasy world just to see the damage they’d cause.

• Cons: It requires research, of course, just like most other settings. And as with Egyptian fantasy, there’s a whole load of mythology to deal with and explain or eradicate (which also begs the question, can/should Christians write a non-Christian mythology? But maybe more on that question in my next post).

6. Other Historical Time Periods

• 
  Examples: Peter’s Angel by Aubrey Hansen (soon-to-be-released, set in a fantasy setting that’s much like the American Revolution), The Little White Horse by Elizabeth Goudge (a beautiful book written in flowing old style set in mid-1800s England), The Fetch by Laura Whitcomb (ties in the Russian Revolution and WWI)

• Pros: Tons of freedom to explore elements of history and setting from any time in history that strikes your fancy, whether Aztecs and Incas or African legends or Indian tales or WWII-era fantasy. If you can dream it, you can write it. Sweet deal, right?

• Cons: The more obscure the time period you use, the less people will be familiar with it and the more you’ll have to research and carefully explain everything.

7. Modern/Crossover

• 
  Examples of Modern-only: Percy Jackson series (see above), Raising Dragons by Bryan Davis, The Secrets of the Immortal Nicholas Flamel series by Michael Scott, The Dark is Rising by Susan Cooper

• Examples of Crossover: Chronicles of Narnia, Inkheart series by Cornelia Funke

• Pros: not as much research involved and less explanation required. Much easier for modern readers to relate to modern characters in a modern world.

• 
  Cons: Let’s face it: these two types of fantasy have been done over and over again. They’re almost as popular as medieval fantasy, if not more so. Still, popularity has its reasons, so even though it’s cliché it’s a popular cliché.

• Tip: If you’d like to write modern fantasy, try setting your story in an unusual but modern setting, like what Susan Cooper did by setting her Dark is Rising series in Scotland. That added a lot of atmosphere and character to her stories that many other modern fantasies lack.

8. A Whole New World

• 
  Examples: Princess Academy by Shannon Hale, The Lord of the Rings (although it does stem from medieval fantasy in some ways), A Series of Unfortunate Events by Lemony Snicket

• Pros: You get to create your own world, unconnected from any culture on earth! What could be more exciting for a writer than pure world-creation?

• Cons: You have to create a whole entire world. Isn’t that a little much to ask of a mere human? Shouldn’t we leave world-building to God? Theological questions aside, creating a cohesive and non-cliché world is a huge task, so don’t start on it lightly. It’s often easier to take a certain time or place as a starting point and build from there rather than creating from scratch.

Since we’re talking about fantasy, it’s impossible to summarize all possible settings in one post. So why don’t you share your story’s setting, plus any inspirations you may have gotten from historical times and places. I look forward to hearing your thoughts!

Books on Writing

I'll be the first to admit that my writing could use improvement--and a lot of it. And, while there's plenty to be said for gluing yourself to a chair and typing until your writing improves, there's a lot more to be said for using the writing resources that others have already created. So in today's post I've listed some of the major books on writing that have helped me in my writing journey.

Yes, I know what you're thinking -- more books to read? Well, think about it this way: it's an investment into your writing and yourself. And, what's more, you don't need to buy these books (that's what libraries are for!). Once you get them, just read them a little at a time (a chapter every evening, for example) or skim them for the most helpful parts. Don't be overwhelmed; check out the links and bookmark them/write them on your library list for future reference!

Now, without further ado, my writing resource list:

Techniques of the Selling Writer, by Dwight Swain (I also have a blog post on it here.)

Writing Fiction for Dummies, by Randall Ingermannson

Live Writing, How Writers Work, and A Writer's Notebook, by Ralph Fletcher (They're written for young writers, but still have plenty of wisdom for the rest of us.)

The Elements of Style, by Strunk and White

Plot & Structure, by James Scott Bell

Stein on Writing, by Sol Stein

Self-Editing for Fiction Writers, by Renni Brown and Dave King

Outlining Your Novel, by K. M. Weiland (Even if you don't enjoy outlining, read this book, and you may be surprised.)

Getting into Character, by Brandylin Collins

The Art of Fiction, by John Gardner

Story, by Robert McKee (Essential for all writers of screenplay, and good for the rest of us too.)

Writing the Breakout Novel, by Donald Maass

Writing Magic: Creating Stories that Fly, by Gail Carson Levine

Seize the Story, by Victoria Hanley

For fantasy writers in particular, I highly recommend reading J.R.R. Tolkien's essay "On Faerie Stories" (from Tolkien's Tales from the Perilous Realm). I also recommend Orson Scott Card's How to Write Science Fiction and Fantasy.

For poetry writers (yes! at last!), I absolutely love Mary Oliver's A Poetry Handbook and Ted Kooser's The Poetry Home Repair Manual. Both are invaluable to any aspiring poet.


Now it's your turn: what books on writing and/or writing resources have you found to be most helpful?