Bullying

Last week, I started a new series on tough issues in our world that we as fantasy writers can--even should--confront in our fantasy stories. If you missed out on my post last week, I highly suggest that you read it here. In today's post, I'll be talking about another extremely serious issue: bullying.

Most of us have had experiences with bullying before, especially as children. Now a few points, first, about bullies. According to many studies, bullies are often insecure people who tear others down in order to make themselves feel better. Bullies are not automatically "evil." Rather, they are often motivated by envy or resentment and may think that bullying is the only way they are esteemed, valued, or noticed. In terms of personality types, bullies are usually authoritarian/dominant personalities that enjoy controlling others, especially those against whom they are prejudiced.

With that information under our belts, let's turn to bullying itself. Bullying refers to some form of coercion or belittlement, whether emotional, verbal, or physical. Bullying often happens in the presence of a crowd of uninvolved bystanders, which adds to the victim's sense of humiliation. Bullying involves hurting someone through some sort of abusive language or behavior, usually intentionally. In some instances, casual or flippant words may have the same effect as bullying, even if they were not intended spitefully. Some common forms of bullying are name-calling, exclusion from events, verbal or written abuse, and physical violence.

Those who are victims of bullying often suffer the effects of bullying all their life. They typically feel belittled, and sometimes take that out on others by becoming aggressive or bullying themselves. Victims often feel lonely, depressed, and suffer from very low self-esteem. If you have had any experiences being bullied, you will remember the feeling of humiliation and misery as a result. It should come as no surprise, then, that those who are bullied also suffer from increased risk of suicide.

Bullying is a huge issue in our world, and can be found in as many different environments as there are people: school, the workplace, clubs and activities, on the Internet, and more.

Now, how can we translate this issue to our own fantasy worlds? The opportunities are nearly endless. Even fantasy races can participate in bullying, whether as bullies, bystanders, or victims. The psychological consequences of being bullied can add layers of meaning to certain characters in your story. You could include bullying as a backstory for a character, or you could make a character who has to stand up to bullying over the course of your novel.

One thing that I'd like to encourage here is that we, both as people and as writers, should have compassion on everyone involved in bullying. Of course we should condemn bullying wholeheartedly. However, we can also recognize that bullies and bystanders might sometimes deserve some compassion because of the things that are out of control in their lives (although that's not to say we should support their responses). Keep in mind the fact that everyone is hurt by bullying. Look for ways to translate bullying in your story into more complex situations with the potential for redemption.

Let me know what you think. Have you ever written a story in which someone is bullied? Do any of your "bad guys" show signs of being bullies? Have you read stories that dealt with this issue? (Note: If you're interested in finding out more information about bullying, I'd start with Wikipedia's overview here and the US government's stop bullying site here.)

Racism

In these next few blog posts, I'd like to focus on some deeper, darker issues that we as fantasy writers are in a perfect position to tackle. For today, we'll be talking about racism.

First off, why should we even mention ugly issues like racism in a fantasy story? Isn't fantasy all about escaping the dark realities of this world and immersing readers in a world full of fairies and rainbows and light? As anyone who has read fantasy will tell you, no, rainbow-fairies and escapism is not what fantasy is all about.

In fact, I believe that fantasy is a medium that is excellent for conveying even the darkest truths about this world. You see, fantasy is like the reflection in a pond on a crisp autumn morning. The real world inspires the fantasy reflections. Sometimes, though, by seeing those reflections, your readers will be able to look at the real world with a clearer eye. What fantasy gives us, then, is a change of perspective. When we finish the last page and close the book, we don't look at the world in quite the same way.

So, in essence, fantasy provides us with the chance to challenge and maybe even to change a reader's view of the world. What a task--and what an opportunity!

Now that we've dealt with the power of fantasy, let's get down to the dirty business of racism. As most people know, racism refers to judging others based only on their skin color or race. Racism can result in one race believing itself superior to others and segregating or enslaving other races.

How does racism fit into fantasy? Well, most fantasy worlds have multiple beings/species/races. For example, Lord of the Rings has a variety of sentient beings--Elves, humans, wizards, and hobbits, among others. What if hobbits suddenly decided that their height entitled them to a superiority above all the other beings in Middle-Earth? Instead of a dark lord you would have a hobbit, both terrible and beautiful and powerful and short! Or, to make the issue a bit more human, what if the men of Gondor decided that they were superior to the men of Rohan and Bree and the North, and then decided to enslave anyone other than the inhabitants of Gondor?

As you can see, there are ample opportunities for racism, segregation based on race, and racial slavery even in fantasy stories.

I suggest that you take a close look at your own story. Is there a place where your story might benefit from the tension and conflicts created by racism? Do you have multiple species or races in your story, and does each one have a separate place in society? If your fantasy world has everyone equal, then think about the history of your world. Was there a time in the past where everyone was not equal? If so, how did the present equality happen, and how could you use those lessons in your story?

All of the above is not to say that you should be preachy in your stories or start ranting about the horrors of racism. Your story, not a moral lesson, is what's important here. I do suggest, though, that you take the opportunity to use your story to reflect some of the darkness in the real world. Challenge your readers by showing them ugliness not just in fantasy but in their own lives. Give people the chance to learn and change. Whether you use racism or some other topic (maybe one that I'll be covering over the next few weeks), I hope that you use your story as an opportunity to challenge and change the world.

Announcing...My Book!

At long last, the day has come: my first novel, Red Sun Blue Earth, is published! You can find the ebook and print book here on Amazon. But before you hop over to Amazon, let me give you a short "review" of my book to let you know what it's all about.

Title: Red Sun Blue Earth
Author: Sienna North
Page Count: 248 pages

Stars: (well, that would be rather self-serving!)

Teaser: Sayaka Sato is an ordinary fifteen-year-old—until 3:46 pm on March 11, when an earthquake and tsunami strike Japan and rip her life into shreds. Sayaka is frantic to find her family, but first, she must survive cold, hunger, and worse. Will Sayaka be able to reunite with her family, earn their forgiveness, and forge a new life for herself, or will she be too late?

Age Level: 13+ (teens and up)

Violence: 3 of 5

• Scenes of death and destruction make up a significant portion of the story, although there are no graphic/gory descriptions.

Romance: 0 of 5

• Sorry, romance-lovers--you'll have to find another tale!

Language: 1 of 5

• A few hastily cut-off exclamations

Christian Worldview: This book is not a Christian fiction book, and none of the characters in the story are Christian--not surprising, considering Japan's Christian population is less than 1%. However, I certainly believe that the themes in the story (such as hope and forgiveness) support a Christian message and don't glorify anything non-Christian.

My Personal Opinion: It goes without saying that I love my book, aside from those horrible moments of paralyzing self-doubt inflicted upon all writers. It took me quite a lot of effort to write, edit, get test-readers' feedback, edit, hire a professional editor, edit, get more test-readers' feedback, edit, proofread, and publish! I would say that the story is especially great for people who want to learn more about Japan, who are interested in the 2011 disaster, or who enjoy coming-of-age stories. I hope, though, that everyone can find something to enjoy in it.

I am hosting a release party for Red Sun Blue Earth on my favorite forum, Holy Worlds Historical Fiction. To add to the excitement, there will be contests, quizzes, and giveaways. The invitation is below, and the party can be found here. Feel free to join the forum and and participate in the party!

And, while you're at it, here is the link for my ebook and for the print book. Check it out and let me know what you think in the comments!

Islands & Fantasy

I recently stumbled across an intriguing lecture series on iTunes regarding islands—their history, their culture, and even their atmosphere. This led me to think, what is the connection between islands in fantasy? What fantasy stories contain islands? What are the pros and cons of using islands in your own story-world? These are questions I’ll explore in today’s blog post.

First, some pros of using islands in your story:

• Writing a world set on islands is a fairly unique choice. There are other examples of island fantasies, like Ursula LeGuin’s Earthsea Chronicles or C.S. Lewis’s Voyage of the Dawn Treader or Tamora Pierce’s Trickster’s Choice. However, on the whole, islands are an untapped treasure mine for fantasies.
• The setting of an island can provide a frame for the story to orient your readers and allow you to construct realistic limits on the action.
• Island stories often include ships and pirates—always a good thing, in my opinion.
• Islands are so very intriguing in our own world, and they develop such an interesting flavor and tradition all their own. Consider Ireland, England, Japan, Indonesia, or any other famous island in our world. Use these real-world islands as inspiration.
• Islands provide many interesting cuisine options like sharp shellfish and seaweed. Can be quite interesting for detail and, perhaps, character squeamishness.

Now for some cons:

• The most important drawback to an island fantasy is that it can be limited, not only geographically but also in terms of characters. If you do decide to use an island story, consider carefully whether you want your island(s) to appear in isolation or connected to/warring against a mainland for more variety.
• Also, as with many other stories, an island setting will not save your story if you have a boring plot and cliché characters. Islands can only do so much—you need to work out the rest yourself!

And that’s it for today, folks. What about you—have you ever written an island fantasy? What are some of your favorite island stories?

(Side note: My first book is coming soon on Monday, March 11. Stay tuned for the announcement!)

Dissecting a Book Cover

Some books from my Goodreads shelf

Picture yourself in the bookstore of your choice, the smell of coffee and paper wafting through the air, a light buzz of background noise filling your ears as you scan shelf after shelf. At last--there--you see it! The most beautiful book you've ever laid eyes on! And you knew, without a doubt, that that book must be yours.

Ever had a reaction like that? Probably not. Still, we've all felt that irresistible attraction to a beautiful book cover that makes us want to pick up the book and see what it's all about. More importantly, almost all of us have had some experience with a horribly designed, amateurish book cover that makes us want to run away as fast as possible.

As these reactions reveal, it's not just what's in the books, it's what's on them that counts. Therefore, in today's post, we'll be exploring the most basic and crucial elements of any successful book cover. You may not be designing your own book cover--for sanity's sake, I hope you aren't!--but you can still use the tips below to evaluate book covers and, when the time comes, to guide your own designer as you create your book cover. (Stay tuned for an announcement about my own book cover at the end of today's post!)

1. Readability

This is the absolute single factor that will make or break a cover. The title, the author's name, the text...it all needs to be legible! You all know how frustrating it is to try to squint and puzzle out, "Is that an 'i' or an 'l'? Is that curlicue a word or decoration? What does 'lmfori' spell, anyway?" The last thing you want is for your readers to be frustrated with your book before they even reach the first page!

So, in a nutshell: make it legible.

2. The Human Element

It's a psychologically proven fact that the human eye is drawn first to any human element in an image before looking at other items in the image. Don't believe me? Try it out on this image below:

Your eye was drawn to the person, right? The point here is that people are drawn to other people, and we can take advantage of that fact when creating and evaluating book cover designs. To put this fact into more tangible terms: potential readers will pick up your book or click on the link to the book and then read the book more often if your book cover has a human element on it. Don't ignore the power of the human factor.

3. A Sense of Genre

What are covers there for? Have you ever thought about why books have covers (other than to keep the dust and coffeestains off)? Here's your answer: book covers are a form of communication.

Your book covers exist to alert readers at a glance to the book's contents. If it's a scifi thriller, you might see a lot of steel surfaces but you won't see a girl in a ballgown on the cover. If it's a mystery, you might see a magnifying glass but you probably won't be seeing a Ranger, hooded and cloaked.

On the reading end, of course, we already know this fact subconsciously. What makes us pick up some books in the library and pass on others? A lot of times, it's because the covers have already alerted us to the material inside.

But as writers or designers, we need to realize that the cover of our book sets up expectations about what the readers will find inside. We need to utilize the cover as a first-glance tool, not just for catching a reader's attention, but to let them know what to expect inside.


And those are the most crucial considerations of cover design! I hope this post has increased your interested in the fascinating world of cover design. Let me know about any experiences you've had with covers in the comments--best, worst, or your own cover design process.

I mentioned above that I have an announcement to make. My cover designer, Scarlett Rugers, has completed a beautiful cover for my novel, Red Sun Blue Earth! I highly recommend Scarlett's work for anyone looking for a cover designer. And for those of you who don't know, my novel is the story of a teen girl who survives Japan's 2011 tsunami, and her search for her family in the aftermath. The book will be available on March 11, 2013, the two-year anniversary of Japan's tsunami.

Food & Fantasy

I love food. Cranberry scones, lemon sorbet, apple pie, Japanese hiyashi-chuka noodles, fresh-baked bread, thin crust pizza...food can be so delicious and amazing!

Then again, sometimes it's more weird than wonderful--bird's nests, shark fin soup, grubs, fried crickets, and more. As fantasy writers and readers, we can be alert to using all of the mighty powers of food for many different purposes.

That's what today's blog post is about: food and fantasy.

1. Everyday-subsistence food
Your story may be a fantasy, but your characters do need to eat. (Unless they are some sort of non-eating-elemental-beings, in which case they probably need energy like moonbeams rather than food.)

Think carefully about what the ordinary people in your story eat on a daily basis. Do they have wheat and corn and potatoes, as in our world? Is there a ready supply of meat? Or are they vegetarians (like me)? Are there any types of daily foods that are unique to your world--special fruits, for example, or maybe a type of vegetable that your main character hates?

If your characters travel over the course of your story, be sure to have them sample different cuisines along the way. There's no better way to add realism to your story than by describing the different sorts of foods your characters encounter along the way!

A few words of warning: while food is an interesting detail that adds texture to your story, don't let it be unnecessarily prominent. Don't just mention food for the sake of mentioning food. Whenever you mention food, make it part of the conflict: the main character doesn't want to offend her host, but she hates eating zinzer roots; some village children are falling sick because of malnutrition; your crew of hearty sailors have scurvy or are running short of food. You get the picture. Make food interesting, important, and maybe dangerous.

2. Special-occasion food
In our world, food is so often tied to celebrations. Think of Thanksgiving dinner. What would it be without turkey and cranberry sauce and stuffing? Then there's Easter, which is practically synonymous with eggs. Or what about Chinese New Year--you have your springrolls, your pineapple tarts, your lo hei/yusheng. Food is an inescapable part of celebrating.

So in your fantasy world, when you have celebrations of the new year or for a coronation or for the king's birthday or for the Harvest Festival, be sure to concoct some special and essential foods to celebrate.

3. Food with special properties
Think of all the examples: Snow White's poisoned apple. The elves' lembas bread from Lord of the Rings. The Weasley twins' nosebleed nougats and canary creams from Harry Potter. We're writing fantasy stories, so we really can let our imagination run wild with our foods. Make your foods poisonous, deceiving to the eye (maybe it looks like sugar and tastes like coal), bestow strength on the eater, make the eater turn into a canary, make the eater invisible...the possibilities are endless.

If you're really interested in the possibilities of magical food in fantasy, study J.K. Rowling's use of candies and foods in Harry Potter. Food is one of the many things that makes Rowling's stories come to life in readers' heads.


A note on presentation: in some cultures, like Japan, the arrangement of the food is crucial. The food is meant not just to be useful but to be beautiful. The colors are chosen to create harmony on the plate; the foods are arranged in special shapes and positions. In such cultures, food can be an art form in and of itself. You could write an entire book about a girl determined to succeed as a food artist but prevented by the traditional heirarchy of her fantasy world. My point here is, don't just think about food as a detail or sustenance for your character. Make the food and the presentation of the food woven seamlessly into the fabric of your fantasy culture.


All this talk about food is making me hungry! Good thing it's almost lunchtime. Let me know if you've made up any foods for your fantasy world, or if you have any cool examples to share of uses of food in the stories you've read.

What to Do When You're Self-Publishing

For those of you who don't know, I'm self-publishing my first novel, Red Sun Blue Earth, in only five weeks on March 11, 2013. It's the story of a teen girl caught in Japan's 2011 tsunami, and how she survives and tries to find her family. As you can imagine, my story has been consuming a lot of my thoughts and energy lately. I thought I'd take advantage of the things I've learned so far in the process and write a post on resources you can use when you've reached the self-publishing stage.

Mini story, "The Two Princess and Freddie," by yours truly

1. Get yourself a professional cover.
Seriously, folks, it's that important. The cover is your first impression, the first connection between your readers and your story. It's a method of communication in the same way that your first page is. Your cover could in fact make or break your story. Don't skimp here! Budget carefully so that you can hire the best.

The cover designer I'm using for Red Sun Blue Earth is Scarlett Rugers. I've been very impressed with her services thus far, and her prices are fairly reasonable for the industry. Here's a blog post on covers for self-published authors, and one on getting cover art. Other cover designers that I researched are Damonza and Historical Editorial. Self publishing companies such as CreateSpace also offer basic cover design, but not sure that I'd recommend using those resources. They may not offer professional quality covers or enough flexibility to get a cover you like.

2. You need feedback. Hire an editor, or at the very least have a team of test-readers edit and critique your book.
What I said above really says it all. The stereotype of self-published books is that they are poor quality and badly written. Who doesn't like busting stereotypes? So be sure to make your book the best it possibly can be by offering it up as a sacrificial offering to the eyes of editors and test readers who may butcher it but who will probably ensure that your book is better than it would've been on its own.

For my book, once I was finished with two drafts on my own, I got together a team of test readers from my favorite writing forum, HolyWorlds, who gave me some good feedback. I also got feedback from family and friends at this point. After incorporating their feedback in a third and fourth draft, I hired what's called an editorial evaluation, which is where editors give me their feedback on the strengths and weaknesses of my story in about a six or eight page Word document. (It's less detailed and more general than page-by-page editorial services, but since hiring a professional editor costs one or two thousand dollars or more, I needed to economize a bit!) I got the evaluation from CreateSpace, and was very pleased with the quality and depth of it. If you are looking for a full editor, I'd suggest the following resources as a starting point: Book Editing Associates, Through the Looking Glass, G-Revisions, Editorial Freelancers Association, and Hock's Editing Services.

3. Appearances matter, so be sure to format it or hire a formatter.
This one's a bit more basic. The technical details of preparing a Word document or manuscript to sell online can get a bit complex, so I'd recommend hiring someone to take care of it for you. However, it's definitely possible to DIY this one, especially if you've got an eye and the time for nitty-gritty details. Here's a tutorial that walks you through formatting your book in HTML. Although I haven't hired a formatter yet, I'm planning to use the skills of Aubrey Hansen, who has done some excellent formatting in books that I've read in the past. Plus she's extremely affordable.


There's more involved, of course, but these are the three major elements that every self-publishing author needs to deeply consider before the book becomes public. I may post later about other aspects of self-publishing to keep in mind. This is quite enough information to start off with, though, in my opinion!

Let me know in the comments if you've ever self-published, and what resources you've used, and if you have any questions on self-publishing or any tips to share from your experiences. Have a great week!